Full List of Stuff

The body of work you find on this website is made of stuff. Some of this stuff is physical stuff. Some of the physical stuff is regular “art stuff” that I buy at like Michael’s or Dick Blick or wherever. Some of the physical stuff is stuff I find in boxes labeled “FREE.” Some of the physical stuff is stuff that I find tucked into the pillows of my couch, or in a stranger’s trash can. Some of the stuff isn’t that physical, it is the stuff I read, and the podcasts and audiobooks that I listen to while I work in my studio or am cleaning my house or when I am at the grocery store or when I am laying in bed and trying to fall asleep.  Please find this ever growing list of stuff here. Follow the links to other people’s stuff that I borrow. Some of their stuff is free for everyone or else can be bought at the links provided->

The stuffiness of this stuff is important to me. Consider the order of this list of stuff a random one. It’s impossible to read a list of stuff that has the text all piled up, one word on top of the other, so I had to spread it out the best I could. Imagine they are all touching. Nonetheless and nonethemore here it is, all of it, and it is for you. Enjoy.
Materials: nylon net, plastic net, cotton fiber net, soccer net, window blinds, water based acrylic silk screening ink, Care Work: Dreaming Disability Justice by Leah Lakshmi Piepzna-Samarasinha, gel medium, elmer’s glue, hot glue, pva glue, glow in the dark glue, This Bridge Called My Back Writings by Radical Women of Color, a feminist anthology edited by Cherríe Moraga and Gloria E. Anzaldúa, bubble wrap, Transgender Warriors: Making History from Joan of Arc to Dennis Rodman by Leslie Feinberg, plastic sheets, plastic wrap, plastic bags, Killing Commendatore by Haruki Murakami, cotton twine, extension cords, The Heart of Whiteness: Normal Sexuality and Race in America, 1880-1940 by Julian B. Carter, moving blanket, copper wire, cotton insulation, ratchet strap with no ratchet, Writings for a Liberation Psychology Chapter 1: Toward a Liberation Psychology written by Ignacio Martin-Baro and translated by Adrianne Aron, wire mesh, plastic mesh, window screen, Care Webs: Experiments in Collective Care a workshop led by Leah Lakshmi Piepzna-Samarasinha, packaging tape, masking tape, painter’s tape, The Dispossessed by Ursula K. LeGuin, electrical tape, clothespins, bulldog clips, Abolition Democracy: Beyond Empire, Prisons, and Torture by Angela Y. Davis, bronze lamp base, lamp shade, LED light bulb, artificial sand, Emergent Strategy: Shaping Change, Changing Worlds by Adrienne Marie Brown, wax crayon, soy wax, paraffin wax, Madness and Civilization: A History of Insanity in the Age of Reason by Michel Foucault, headlamp, 2 AA batteries, Brilliant Imperfection: Grappling with Cure by Eli Claire, cardboard, snappers, US census documents, torn envelopes, Ezili’s Mirrors: Imagining Black Queer Genders by Omise’eke Natasha Tinsley, inkjet transfer on hot glue of Absurdity of the Carnival/The Burial of the Sardine by Francisoco Goya, inverted and sanded inkjet print on paper of engraving from The Divine Comedy: Inferno: Canto XIV by Gustave Doré, I Hope We Choose Love: A Trans Girl’s Notes from the End of the World by Kai Cheng Thom, nylon fiber carpet, mylar blanket, inkjet transfer on gel medium of central panel from The Garden of Earthly Delights by Hieronymus Bosch, dried leaves, human hair, dog hair, tennis ball fuzz, dust, dirt, tempura, Staying with the Trouble: Making Kin in the Chthulucene by Donna Harraway, acrylic, a coupon book, magazines, newspaper, paper flyers, used protest signs, The Parable of the Sower by Octavia E. Butler, ceiling fan panels, tarp, cardboard helicopter, Kindred by Octavia E. Butler, a blank greeting card with the image of a dolphin leaping from shimmering waters under a lavender sky, disposable face mask, How to Survive the End of the World a podcast by Autumn Brown and Adrienne Marie Brown, marbles, netted pouch, hand scans of a hardwood floor, ink, Octavia’s Brood: Science Fictions from Social Justice Movements compiled and edited by Adrienne Marie Brown and Walidah Imarisha, puffy paint, pvc pipe, fluorescent pigment, Are Prisons Obsolete? by Angela Y. Davis, welding screen frame, wooden shelves, mixed metal, nylon rope, ironing board, clementine peel, dried daffodils, English ivy, dried lemons, dried oranges, shower curtain rings, cardboard bricks, styrofoam cups with bite marks, 2 steel bed frames, backdrop stand, spray paint, welding screen frame, paint bucket with 1 inch of wet grey paint inside, neon nylon string, tupperware box covered in Star Trek First Generation stickers, Mickey Mouse stickers, Ninja Turtle stickers, clementine skin, burnt paper, zip ties

Tuesday Oct 5 2021